I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
As a writer, I find it scarily good. Not only does it have a compelling plot that kept me turning pages, but it’s sooo beautifully written, with unique, complex characters and a story that bends and twists through their lives, surprising me over and over.
Like all good gothic fiction, it includes a decaying mansion, mysterious disappearances, an eccentric old lady, stories within stories, and it also has twins!
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
Actress Katherine Parr narrates the audiobook of Only Charlotte, speaking as Lenore James and a whole cast of eccentric characters, her voice rich with mystery and menace, ardor and innuendo.
In post-Civil War New Orleans, Lenore suspects her brother, Dr. Gilbert Crew, has been beguiled by the lovely and…
This book has everything I love in gothic fiction: an ancient manor house, a lost child, a disappearance, a tangled garden, and oh-so-many secrets.
What is it about a troubled woman searching for answers in the past that I find mesmerizing? Perhaps it’s because we all feel the reverberations of family history that affect our own lives. Perhaps we all want to know… who am I and why.
A special Sophie Allport Design limited edition of the moving and powerful mystery, The Forgotten Garden, the bestselling second novel from the author of The House at Riverton, Kate Morton.
A lost child . . .
On the eve of the First World War, a little girl is found abandoned on a ship to Australia. A mysterious woman called the Authoress had promised to look after her -but has disappeared without a trace.
A terrible secret . . .
On the night of her twenty-first birthday, Nell Andrews learns a secret that will change her life forever. Decades later, she…
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
Pregnant out of wedlock, sixteen-year-old Annie Moore is sent to live at a convent for fallen women. When the nuns take her baby, Annie escapes, determined to find a way to be reunited with her daughter. But few rights or opportunities are available to a woman in the 1860s, and…
This book gave me the shivers. I felt cold and claustrophobic as if I too was immersed in the remote 18th-century Swedish setting.
Along with the main character and her children, left to fend for themselves through a long, freezing winter, I sensed the wolves—both animal and human—lying in wait for me. I felt the strained relations in the small, insular community and the religious, natural, and magical forces encircling their lives.
Compelling for its mystery and the evocative descriptions of this wild, remote place.
'Wolf winter,' she said, her voice small. 'I wanted to ask about it. You know, what it is.' He was silent for a long time. 'It's the kind of winter that will remind us we are mortal,' he said. 'Mortal and alone.' Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms Blackasen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the…
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
Seventy years earlier, Minna and her mother had escaped war-torn Europe to join a distant travelling fair. There, Minna meets Albert, a man who wants a wife, but also a farmhand. When he and, later, Minna, both disappear, the mystery of what happened to them stays buried, seemingly forever. Set on Australia’s rugged south coast, it’s a tale of two women, the past that haunts them, and the danger that brings them together.
